Screening Plan

At first, Kiryukan thought of putting three screens in a widescreen size and rendering them together.

The left and right sub-screens are controlled by editing software.
But that's too mechanical.
What's more, the monitors and screens in the current mini screening spaces are fixed at a 16:9 size.
In the end, we think it's better to stick a white cloth or something next to the main screen and use two projectors.
One mini-projector appears and disappears on the screen during the first half of the three-hour screening time, using the cardboard light shield mentioned above.
It moves freely around the theater.
It could be a translucent white cloth. It's great that the appearance changes every time depending on the material of the cloth.
For the final fire scene, the cloth could be swaying in the wind.
The other projector could be an 8mm projector.
It would only be projected at the end. In that case, all you need to do is get someone to turn it on on the day.
If you project the flames from the 8mm film onto the wall, it looks like a real fire.
It would become a three-screen only at the end.

Ideally, the left and right sub-screens should be slightly darker than the main screen in the center, so at MIDORI, the sub-images were projected onto paper sliding doors and sliding doors.

The moment when it became a three-screen at the end of the aforementioned "Napoleon" was amazing. But the previous few hours had been a little boring.
That's why in Zashikiro, sub-screens appear in the venue from the first half onwards and move around.
"Boredom is a sin" is a quote from Shuji Terayama .